Ignatius Sancho

Ignatius Sancho - ever heard of him?
He spent his early life enslaved (and then in service), and was also a writer and composer. Read more about him below and then come hear some of compositions in Handel + Haydn Society’s “Every Voice” concerts this weekend!

Charles Ignatius Sancho (c. 1729? – 14 December 1780) was a British composer, actor, and writer. He is the only Briton of African heritage known to have been eligible and voted in an 18th century general election through property qualifications. He gained fame in his time as "the extraordinary Negro", and to eighteenth-century British abolitionists he became a symbol of the humanity of Africans and immorality of the slave trade.[4] The Letters of the Late Ignatius Sancho, an African, edited and published two years after his death, is one of the earliest accounts of African slavery written in English by a former slave.

Charles Ignatius Sancho was born on a slave ship crossing the Atlantic Ocean, in what was known as the Middle Passage. His mother died not long after in the Spanish colony of New Granada, corresponding to modern Colombia, Ecuador, Panama, and Venezuela. His father reportedly took his own life rather than live as a slave. Sancho's owner took the young orphan, barely two years old to England and gave him to three unmarried sisters in Greenwich, where he lived from ca. 1731 to 1749. John Montagu, 2nd Duke of Montagu (of the first creation) (1690–1749), impressed by Sancho's intellect, frankness, and his amiability, not only encouraged him to read, but also lent him books from his personal library at Blackheath. Sancho's informal education made his lack of freedom in Greenwich unbearable, and he ran away to the Montagus in 1749. For two years until her death in 1751, Sancho worked as the butler for Mary Montagu (née Churchill), Duchess of Montagu, at Montagu House, where he flourished by immersing himself in music, poetry, reading, and writing.[5][6] At her death in 1751 he received an annuity of £30 and a year's salary, which he quickly squandered.[5]

Charles Ignatius Sancho (c. 1729? - 14 December 1780) was a British composer, actor, and writer. He is the only Briton of African heritage known to have been eligible and voted in an 18th century general election through property qualifications.

Hieronymus Praetorius

If Michael Praetorius was so important, how does Hieronymous Praetorius fit in?

Hieronymus Praetorius (10 August 1560 – 27 January 1629) was a north German composer and organist of the late Renaissance and very early Baroque eras. He was not related to the much more famous Michael Praetorius, though the Praetorius family had many distinguished musicians throughout the 16th and 17th centuries.

He was born in Hamburg, and spent most of his life there. Praetorius studied organ early with his father (Jacob Praetorius, the elder (1520-1586), also a composer), afterwards going to Cologne for further study. In 1580 he became organist in Erfurt, but only remained there two years, returning to Hamburg in 1582. Back in Hamburg he worked with his father as assistant organist at St. Jacobi, becoming principal organist in 1586 when his father died. His son, Jacob, was born that same year, and was also destined to become a composer.

In 1596 he went to Gröningen where he met Michael Praetorius and Hans Leo Hassler; presumably he became acquainted with their music, and through them the music of the contemporary Italian Venetian School, at this time.

Hieronymus Praetorius (10 August 1560 - 27 January 1629) was a north German composer and organist of the late Renaissance and very early Baroque eras. He was not related to the much more famous Michael Praetorius, though the Praetorius family had many distinguished musicians throughout the 16th and 17th centuries.

Michael Praetorius

Why is Michael Praetorius so significant for early music theory? And how did a German end up with a Latin last name?

Michael Praetorius (probably 15 February 1571 – 15 February 1621) was a German composer, organist, and music theorist.[1] He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns, many of which reflect an effort to improve the relationship between Protestants and Catholics.

Praetorius was born Michael Schultze, Schultheis, or Schultz, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's State Orchestra, first as organist and later (from 1604) as Kapellmeister.[2]

His first compositions appeared around 1602/3. Their publication primarily reflects the care for music at the court of Gröningen. The motets of this collection were the first in Germany to make use of the new Italian performance practices; as a result, they established him as a proficient composer.

Michael Praetorius (probably 15 February 1571 - 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns, many of which reflect an effort to improve the relationship between Protestants and Catholics.