Handel receives a lot of attention in December (for Messiah, of course), but there’s SO much more to explore than that. On this Early Music Monday, we’ll kick off July of Handel with Music for the Royal Fireworks!
Font Serenissima
Want to clean up an edition without actually converting it to modern notation? Early Music Sources has developed a font to make it all possible! Check it out here!
Mundy Te Deum
Sang this yesterday for Trinity Sunday at Church of the Advent. It definitely lives up to its “for trebles” designation!
John Dowland
Oh Dowland…
- couldn’t get a court post in England
- traveled through Germany insulting the court lutenists
- penned multiple “get off my lawn” diatribes
- also happened to compose, occasionally
Come hear our program on Friday!
Program Notes
Many Early Music Monday posts (like the one about composers in prison a few weeks back) come from research I’m doing for program notes. Want to read them?
Black Death Music Parties
Aside from the part where it killed people, the plague actually had a pretty significant impact on music (and culture in general) in medieval/renaissance times. And did you know that Machaut was a plague survivor?
Read more here: Weird Classical: The History of Black Death Music Parties
Francisco Guerrero
Sure, Guerrero was a fantastic composer, but did you also know that he…
- was held for ransom by pirates
- spent time in debtors prison
- wrote a book about his adventures
- and died of the plague
Luzzasco Luzzaschi: Madrigali per cantare et sonare
That lightbulb moment when Early Music Sources explains something in 20 minutes that you struggled with for an entire semester in grad school…
Composers in Prison
When Bach tried to resign from his job in Weimar after being passed over for promotion, the duke became so angry that he threw Bach in prison for a month. Curious about other composers who spent time in jail?
Improvisation around 1600
Did last week’s video on singing diminutions catch your attention? Early Music Sources has another excellent video on improvisation in early music, including a reference for church organists on how to keep from confusing their singers.