17th-century swordswoman AND star of the Paris Opera? Fought duels with men in her free time (and generally won)? Early Music Monday continues! And you thought Gesualdo was the only salacious story from your music history class…
17th-century swordswoman AND star of the Paris Opera? Fought duels with men in her free time (and generally won)? Early Music Monday continues! And you thought Gesualdo was the only salacious story from your music history class…
Julie d'Aubigny (1670/1673–1707), better known as Mademoiselle Maupin or La Maupin, was a 17th-century opera singer. Little is known for certain about her life; her tumultuous career and flamboyant lifestyle were the subject of gossip, rumor, and colourful stories in her own time, and inspired numerous fictional and semi-fictional portrayals afterwards. Théophile Gautier loosely based the title character, Madeleine de Maupin, of his novel Mademoiselle de Maupin (1835) on her.
Julie d'Aubigny was born in 1673[1] to Gaston d'Aubigny, a secretary to Louis de Lorraine-Guise, comte d'Armagnac, the Master of the Horse for King Louis XIV. Her father trained the court pages, and so his daughter learned dancing, reading, drawing, and fencing alongside the pages.[2][better source needed] In 1687, the Count d'Armagnac had her married to Sieur de Maupin of Saint-Germain-en-Laye, and she became Madame de Maupin (or simply "La Maupin" per French custom). Soon after the wedding, her husband received an administrative position in the south of France, but the Count kept her in Paris for his own purposes.
Also around 1687, La Maupin became involved with an assistant fencing master named Sérannes. When Lieutenant-General of Police Gabriel Nicolas de la Reynie tried to apprehend Sérannes for killing a man in an illegal duel, the pair fled the city to Marseille.